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For educational/institutional rates, please contact us by email. Public exhibition/library collection rates depend on profit/non-profit status and the nature of the rights requested. For retail/private use, Substream Films can be
purchased through online retail sites such as amazon.com.
Utilizing largely ethnographic and
observational approaches to documentary filmmaking, Immokalee U.S.A.
chronicles the daily experiences of migrant farmworkers living and working
in the U.S.A. For nearly forty years, Chick Publications
under the leadership of Jack T Chick has published over three quarters of
a billion religious tracts that have been distributed in over 100
languages around the world. Notoriously reclusive, Chick
Publications for the first time let camera crews in to meet the creators
of the infamous works as well as noted authors, artists and collectors who
have covered the history of all things Chick including the art, artists,
writers, controversies, death threats, witch spells, Illuminati, Catholic
assassins and more! Using archival materials and original Super 8
cinematography, Cracker examines Florida History from a decidedly
different point of view. “Koszulinski did his homework - he
plundered state archives for vintage images and footage to mix with his
own original footage... which traces the Sunshine State's history from the
earliest inhabitants to the present day." (The Tallahassee Democrat, April
20, 2000) Exploring memory and the manipulation of history, all from the perspective of our amnesiac protagonist, “‘Silent Voyeur’ is an experience and it’s one that’s not likely to be forgotten easily.” (Eric Campos, Film Threat) “…The Story ultimately reaches out beyond this secluded cabin for a thought-provoking capper to this well-crafted indie psychodrama.” (Underground Oddities, Shock Cinema, #33) Blood of the Beast; (2003); 70 min.; feature narrative Combining archival footage within the structure
of a conventional narrative, BOTB creates a future dystopia where mankind
is doomed to extinction. “…delivers an aesthetic juggernaut.
Koszulinski is a major talent to watch…” (Cultcuts
Magazine) In 1966, Saul Lennewitz believed he was receiving long wave radio frequencies from extraterrestrial intelligence. His evidence was destroyed by the U.S. Government. The film chronicles Lennewitz’s subsequent descent into madness.
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